{"id":357,"date":"2022-02-25T13:15:03","date_gmt":"2022-02-25T12:15:03","guid":{"rendered":"https:\/\/www.souillacenjazz.fr\/new\/?p=357"},"modified":"2023-08-23T17:36:26","modified_gmt":"2023-08-23T15:36:26","slug":"fidel-fourneyron-bengue","status":"publish","type":"post","link":"https:\/\/www.souillacenjazz.fr\/new\/fidel-fourneyron-bengue\/","title":{"rendered":"Fidel Fourneyron \u00abBengue\u00bb"},"content":{"rendered":"\n<p>Apr\u00e8s le tr\u00e8s remarqu\u00e9 projet \u00ab&nbsp;Qu\u00e9 vol\u00e1 ?&nbsp;\u00bb en immersion totale avec des musiciens afro cubains Fidel Fourneyron (tromboniste et compositeur), Laur\u00e9at du programme Jazz Migration 2016, cr\u00e9e avec son nouveau projet \u00abBengue\u00bb (un mot d\u2019Afrique de l\u2019ouest qui signifie Europe) un concert de Jazz Panafricain sur des textes d&#8217;auteurs et autrices issus de la litt\u00e9rature Panafricaine qui vient explorer la question de la Diaspora. Bengue porte des r\u00e9cits diff\u00e9rents et donne \u00e0 entendre des langues riches. La base du septet repose sur les percussions et la belle g\u00e9mellit\u00e9 des balafons des s\u0153urs Hi\u00e9 et du marimba de Vassilena Serafimova. Pour cette cr\u00e9ation Fidel Fourneyron, a command\u00e9 des textes \u00e0 de jeunes autrices et auteurs (Penda Diouf, James No\u00ebl, Blick Bassy&#8230;) en qui r\u00e9sonne l\u2019histoire et les probl\u00e9matiques de la diaspora. Dans ce songbook port\u00e9 par la chanteuse Emma Lamadji, chaque chanson, en fran\u00e7ais, bassa, sango, wolof, cr\u00e9ole, noushi, lingala&#8230; fait d\u00e9couvrir au spectateur un \u00e9clairage diff\u00e9rent, une histoire particuli\u00e8re. L\u2019inventivit\u00e9 et la finesse de l\u2019\u00e9criture orchestrale de Fidel tissent des liens invisibles entre ces textes pour faire entendre une r\u00e9elle polyphonie de l&#8217;Afrop\u00e9anit\u00e9, en \u00e9cho \u00e0 la richesse des timbres de l\u2019orchestre o\u00f9 se m\u00ealent&nbsp;: voix, balafons, marimba, percussions, violon, contrebasse et trombone.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Fidel Fourneyron<\/strong> : trombone, compostions, conception<br><strong>Emma Lamadji<\/strong> : voix<br><strong>Cl\u00e9ment Janinet<\/strong> : violon<br><strong>Vassilena Serafimova<\/strong> : marimba, percussions<br><strong>Thibaud Soulas<\/strong> : contrebasse<br><strong>Melissa Hi\u00e9<\/strong> : djemb\u00e9, balafon, percussions<br><strong>Oph\u00e9lia Hi\u00e9<\/strong> : balafon, doums, percussions&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Discographie&nbsp;:<\/strong><\/p>\n\n\n\n<p>\u00bf Que Vola ? &#8211; No Format ! &#8211; 2019<br>Animal &#8211; Fidel Fourneyron &#8211; ONJ Records &#8211; 2018<br>Feelin\u2019 Pretty &#8211; Un Poco Loco &#8211; Umlaut Records &#8211; 2017<br>Fidel Fourneyron : Victoire du jazz 2019 \u00ab artiste qui monte\u00bb<\/p>\n\n\n\n<p><br><strong>Palmar\u00e8s Jazz Magazine &#8211; Jazz News 2021 :<\/strong><\/p>\n\n\n\n<p>Fidel Fourneyron Top 5 des trombones<br>Cl\u00e9ment Janinet Top 5 des violons, violoncelles, &#8230;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"BENGUE Ho&#039;o lo\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/HY3A_fPiBIQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interview Fidel Fourneyron - Bengue\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/u1rYBHjD-tc?start=1&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-blockspare-shape-divider alignfull 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modification)<\/p>\n","protected":false},"author":1,"featured_media":359,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"cybocfi_hide_featured_image":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[23,87,21],"tags":[],"class_list":["post-357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives","category-archives-2022","category-programmation-2022"],"featured_image_urls":{"full":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",1280,720,false],"thumbnail":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault-150x150.jpg",150,150,true],"medium":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault-300x169.jpg",300,169,true],"medium_large":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault-768x432.jpg",640,360,true],"large":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault-1024x576.jpg",640,360,true],"1536x1536":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",1280,720,false],"2048x2048":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",1280,720,false],"vp_sm":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",500,281,false],"vp_md":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",800,450,false],"vp_lg":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",1280,720,false],"vp_xl":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",1280,720,false],"vp_sm_popup":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",500,281,false],"vp_md_popup":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",800,450,false],"vp_xl_popup":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault.jpg",1280,720,false],"morenews-featured":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault-1024x576.jpg",1024,576,true],"morenews-large":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault-825x575.jpg",825,575,true],"morenews-medium":["https:\/\/www.souillacenjazz.fr\/new\/wp-content\/uploads\/2022\/02\/maxresdefault-590x410.jpg",590,410,true]},"author_info":{"display_name":"Souillac 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